As the son of a professional artist, creative urges were in my blood. My earliest memories are of awe and fascination as I gazed at the stained glass windows in churches and cathedrals in New York City. In the late 1970s, this fascination transitioned into a serious hobby. During my “hobby stage,” I became skilled in the basics of the stained glass craft.
In 1998, already adept at establishing, running, and managing an engineering services firm, I felt it was time to follow my dream of becoming a full-time stained glass artist, using my business experience to establish my own stained glass company.
For the first two years I worked to build Prism Effects into a viable business entity while still maintaining my professional position. During this transition period, I:
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Became a member of the Stained Glass Association of America and took advantage of available technical training and manuals.
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Established wholesale accounts with vendors.
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Converted a 20’ x 30’ workshop into a dedicated and well-appointed stained glass studio.
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Dedicated a home office with a library of stained glass literature and state-of-the-art computer equipment to manage the business and to run a variety of stained glass computer-aided design (CAD) software packages.
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Leased space to store a substantial inventory of glass and stock bevels, lead and zinc came, zinc and steel rebar, materials to fabricate wood and steel frames, and materials to build custom crates.
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Bought a dedicated, professionally lettered truck and equipped it with a specially designed and fabricated stained glass carrying rack.
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Acquired the tools and equipment one would expect to find in a professional stained glass studio. In addition to the hand tools of the trade, special equipment includes:
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Water-cooled diamond band saws, ring saws, and
grinders
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Large light table
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Glass beveling equipment
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Electric miter saw for precise zinc, brass, and copper came
cutting
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Stationary and portable sand blasting equipment, including a large air compressor and sandblasting cabinet
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Large computer-controlled kiln to slump, fuse, and/or fire painted glass
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Wood-working equipment to fabricate frames and custom crates
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Welding and metal cutting equipment to fabricate steel frames for large stained glass panels
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